Your experience. Your voices. Our community.
Stories
Podcast transcription: Audacious Play: Sculptures by Page Turner
Assemblage artist Page Turner talks about how the sisterhood of women in the Church in her hollow near Roanoke, Virginia, inspire her work, which has recently been included in 50 Women Contemporary Women Artists, alongside some of the most important artists working today.
Podcast transcription: Laura Allred Hurtado: Her Years at the Church History Museum
The former global acquisitions curator for the Church History Museum reflects on her tenure and influence on art in the Church with the aid of tributes written by artists and colleagues: Neylan McBaine, Walter Rane, Rose Datoc Dall, Alan Johnson, Valerie Atkisson de Moura, Annie Poon, Diane P. Stewart, Caitlin Connolly, and Jason Metcalf. Hurtado is the newly-named executive director of the Utah Museum of Contemporary Art.
Podcast transcription: Lance Larsen's New Poems: What the Body Knows
In a discussion about his newest book of poetry, award-winning poet Lance Larsen speaks about prose poetry, describes how his work evolves from draft to print, reads from his work, listens to an art song setting of his poems, and considers other art forms that appeal to him.
Podcast transcription: Are There Anybody Here: The Music of David Fletcher
Glen Nelson: Hello and welcome to another episode in our monthly podcast. I'm your host Glen Nelson. You've just heard the first verse of "Weepin' Mary," a song written in 1990 by David Fletcher in an unreleased demo recording of 1998 with soprano Sarah Aspland singing and the composer of the piano. On today's podcast, I'm here with composer/songwriter David Fletcher to discuss his life and music. What a pleasure D., welcome.
Podcast transcription: Opera and Ballet Teenagers at the Met: Ruby Gilmore and Addy Hawley
Glen Nelson: Hello and welcome to another episode in our studio podcast. I'm your host Glen Nelson. Today I'm here with Ruby Gilmore and Addy Hawley who have performed with the Metropolitan Opera and American Ballet Theatre Companies at Lincoln Center in New York just eight blocks north of where we are this afternoon. Ruby is a singer and Addy's a dancer. They are members of the Church of Jesus Christ of Latter-day Saints, and they also happen to be teenagers. Welcome.
Ruby Gilmore: Hi.
Podcast transcription: Richard Bushman and Farms, Family, and Faith
Glen Nelson: Hello and welcome to the Mormon Art Center's Studio Podcast. In this episode, we'll sit down with historian Richard Lyman Bushman to discuss his new book, The American Farmer in the Eighteenth Century: A Social and Cultural History. The book is just out, published by Yale University Press, and it gives me an excuse to get Richard into the interviewee's chair and pummel him with questions about the meaning of life or if not that, at least the meaning of his latest book. Welcome Richard.
Podcast transcription: Joy and Terror in the Art of Annie Poon
Glen Nelson: Hello everybody, and welcome back to the Mormon Arts Center's Studio Podcast. I'm your host Glen Nelson in New York. In our second episode, we present an interview with visual artist, Annie Poon whose award-winning, stop-motion animation films have been exhibited in museums and film festivals across the country. Today. We'll discuss Poon's work, her respect for outsider artists, how her mental health issues affect her artwork, and her daily creative exploration of LDS scriptures and their translation into her singular imagery.
Podcast transcription: Jamie Erekson/James W. McConkie
Glen Nelson: Hello everybody and welcome to the first podcast of the Mormon Arts Center. I'm your host Glen Nelson in New York. In today's episode, we'll be telling the story of one of the great what-ifs of Mormon Arts: the life and music of composer James Wilson McConkie. Sitting in the studio with me--and by studio I mean my studio apartment--is Jamie Erekson, grandson of McConkie, who is currently bringing to life the music of this forgotten LDS composer. McConkie is almost completely unknown now, but in the 1950s, he was poised for a major career in American classical music. He earned a PhD in Composition at Columbia University in 1950 and then went to Paris to study with the legendary teacher Nadia Boulanger. Then tragedy struck at the age of 32.
Podcast transcription: Scott Holden
Glen Nelson: Hello everybody and welcome back to another episode of the Mormon Art Center's Studio Podcast. Two nights ago, Scott Holden stepped onto the stage at Carnegie Hall's beautiful, new jewel box Zankel Hall for a recital that would have sounded preposterous even a few years ago, a survey of classical music by Mormon composers performed in the most important music building in America. It's weird, Scott, now that I hear myself saying that out loud, it seemed almost too grand, but describing it any other way, shortchanges the historical moment it represented for me and the tremendous efforts behind it. So today Scott and I are sitting down together to listen to excerpts from a baker's dozen of LDS composers represented on the program, A Century of Mormon Music, and to describe what it was like to discover and champion these composers' works. Welcome.
Hopi and Hope
I had the great privilege of interviewing composer/scholar/advocate Trevor Reed this week for a podcast. It was an amazing experience. I've known about his work for a while. Two years ago, I wrote an article for an online magazine (SquareTwo) that I titled, "Mormon Masterworks of the 21st Century." In it, I described ten Mormon composers' works. One of them was Reed's "Puhutawi."
Tears and Fears
I didn't anticipate that doing a podcast would be such an emotional thing. But when you're talking to people who really open up about their lives--and that includes bad times as well as good times--you can't help walking around in their shoes for a while.
Into the "Studio"
I grew up with fiction, with movies and picture books and a fascination with the sharing of what life is like for other people. True stories, untold stories, wild and crazy stories: all of them interest me. So when I was asked about the possibility of starting a podcast series ...